The Cambridge EQ can be your 'go-to' on all your channels safe in the knowledge that you won't run out of DSP power. This has long been a favourite amongst many mix engineers due to the small amount of DSP usage it requires. It's a 5-band parametric or shelving EQ with wonderful filters that have 17 (!) filter slopes including 2nd-6th order Butterworth and elliptical filters. The Cambridge EQ has been out since the start of UAD Powered Plug-ins and whilst the graphical interface could possibly do with a bit of a facelift, the sound is still very desirable. Cambridge EQ | Equaliser & Filters : £115 In the same way a guitar would be used through a spring reverb amp, it's also great on drums or percussion.Ģ. The original hardware AKG BX 20 was invented in the 1960's and sounds very lush and moody - I find that running it as a plug-in on a track rather than using it as an FX send always gives more of a natural direct tone. We all have room and hall reverbs, plates and delays but a good spring can add some extra character and change of space. However, everything changed when UA released the BX 20! This was purely due to being unable to find a plug-in that could do a spring reverb real justice. Here are six of our favourite hidden gems.īefore UA released the AKG BX 20 Spring Reverb I used to reamp some of my old guitar amps to access their noisy old springs. They may be less expensive, but they're no less powerful.
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I'm able to easily create and automate classic dub-style feedback on guitar and vocal tracks.Many of Universal Audio's UAD powered plug-ins are very familiar - the likes of LA-2A, 1176, Pultec, SSL, Neve, Manley and their excellent tape emulations are amongst the most popular.Īs well as these well known names, there are many others that are also very useful - including some of the plug-ins included free when you purchase your interface.
This is surely the best dub tape echo unit around. One final must-have - the UAD EP-34 Tape Echo. I was able to recreate the sound of heavy soul tape compression with those wonderful plug-ins. I have just finished producing a '60s-style soul session and it would have been impossible without the Ampex ATR-102 and Studer A800 tape emulations to match the digital overdubs (vocals, strings, and brass) with the analog backing tracks. I have the real thing so I can vouch for how accurate this is with absolute certainty. My next favorite is the dbx 160 Compressor. I had one and I always go back to that sound, this time without the burning smell and background hiss! The Rev A is my number one choice - it's an old favorite at CBS studios where I learned my craft. The must-have bass compressor is the UAD 1176 Classic Limiter Collection. Here’s a tip to remember- set the predelay to suit the track’s tempo to maximize the effect and roll off some of the top end using the built in EQ for old school flavor! “If you are trying to create the lush soul vocals of the 1970's and early 80's (pre-digital reverbs), then look no further than the UAD EMT 140 Plate Reverb.
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Steve Levine - Producer (Culture Club, Beach Boys, Patch William) Simply using the CD release version as source audio for lacquer cutting frequently produces inferior results.” Vinyl records just don't have the high frequency headroom that digital does, so preparing a special set of sound files for lacquer cutting can make the vinyl version much better-sounding and more playable on lower cost cartridges. My final go-to plug-in is the Precision De-Esser, which is especially valuable in preparing master audio for vinyl releases. This is a very powerful and great sounding tool - the “Stereo Expander” can open up mixes that sound boxy and claustrophobic, while the “Mid-Hi Tune” and “LC-EQ” sections can add subtle sparkle to vocals or instruments depending on your choice of turnover frequency in both. It is the best sounding, most transparent digital limiter I've ever found, and is particularly useful for acoustic music where coloration is not desired. “For mastering, the UAD plug-in I use most frequently is the Precision Limiter. Paul Blakemore - Mastering Engineer (Esperanza Spalding, Ladysmith Black Mambazo) Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ DynamicsĪbout Find a Dealer Downloads Blog Support Log In Thunderbolt 2 Option Card Thunderbolt 2 Option Card Volt 276 Studio Pack Volt 276 Studio Pack
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